She walks in beauty essay

And all that's best of dark and bright
Meet in her aspect and her eyes:

  • The contrast between light and dark that was first brought up by the "starry skies" in line 2 is repeated and developed in line 3.
  • Everything that is great about both "dark" and "bright" come together in this woman. Essentially, she's got the best of both.
  • Her "aspect" can mean both her facial expression and her overall appearance.
  • So her whole appearance and especially her "eyes" create some kind of harmony between "dark" and "bright."
  • If this seems weird to you, think of a really beautiful person who has dark eyes that always seem to sparkle – or someone whose eye color contrasts with his or her hair color in an attractive way. That's what Byron's talking about – contrast that creates beauty and harmony.
  • Byron's setting up a binary, or opposition, between "bright" and "dark," but it's important to realize that neither is considered better or worse than the other. Both have aspects that are "best."

This quotation comes from Chapter 8. As Ponyboy sits in the hospital and watches Johnny dying, he muses on the fragility of group cohesion. It seems obvious that Johnny needs the greasers—he is small, passive, and poor, which makes him an easy target of Soc violence. Less obvious is the gang’s need for Johnny. The greasers need a vulnerable friend to give them a sense of purpose. Telling themselves that they exist to protect people like Johnny lets them avoid thinking about the fact that their poverty and vulnerability leave them no choice but to band together. Ponyboy comes to this conclusion at the end of the novel, as Johnny is dying. He understands Johnny’s value only when he is about to lose Johnny, which amplifies the pain of the loss.

She walks in beauty essay

she walks in beauty essay

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